14th January 2020. Researching movement, dance, dolls, limbs & marionettes.
He informed me that I must not suppose that every single limb, during the various movements of the dance, was placed and controlled by the puppeteer. Each movement, he said, will have a center of gravity; it would suffice to direct this crucial point to the inside of the figure. The limbs that function as nothing more than a pendulum, swinging freely, will follow the movement in their own fashion without anyone’s aid.
Heinrich von Kleist, “On the Marionette Theater” in The Drama Review 16, no. 3 (September 1972): 22.
Wednesday, 25th September 2019. Fabulous day at The Society of Women Artists 158th Exhibition at The Mall Galleries, London, SW1. ‘Symbolic Invalidation’ on the wall surrounded by so many talented artists.
This little birdie is happy to announce that my submission 'the living flower' has been accepted for the ONCA Gallery Hope Exhibition.
The Living Flower, 2019 Chenille L’Oiseau
I am a happy little birdie to have my work 'Symbolic Invalidation' accepted for The Society of Women Artists 158th Annual Exhibition at The Mall Galleries, London, SW1.